You would think that anyone with a passion as singular as mine would have a deep and abiding affection for all things gorilla suit but the truth is, my love for the profession wanes somewhat once you look past the work of Bob Burns. With the arrival of effects wunderkind Rick Baker in the seventies , the 'gorilla suit' would eventually become indistinguishable from the real flesh and blood animal it is meant to depict. I love the film and images of Golden Age Hollywood Gorillas because of their evocations of the idea of a mighty jungle beast . Why this preamble to a review of a cheesy ribald tribute to serials of old? Bill Black's new short THE RETURN OF NYOKA THE JUNGLE GIRL not only celebrates and pokes fun at the classic Saturday matinee cliffhanger but it also features a Modern Gorilla Man, Chris Casteel, who would not look out of place alongside Gemora, Corrigan or Van Horn in his guise as The Mighty Bongo. Not to confuse names, but Bongo appears as the fearsome ape Satan, played by Emil Van Horn in the original serials.
NYOKA is naturally patterned after the classic source material with other twists thrown in, namely the appearance of the Crimson Skull who has resurrected the devil ape Satan with the mystical Amulet of Vultura (the gorilla's former master). The story unfolds with Satan on the lam and Nyoka Gordon in possession of the charmed bauble. It's not long before our comely heroine is in dire straits at the hands of the Crimson Skull and his simple minded henchmen. Fisticuffs, firefights and fearsome fur on flesh action follows!
One clear difference 50 plus years make from one incarnation of Nyoka to another - Kay Aldridge, the last jungle girl, never looked so shapely. Bill Black obviously has a penchant for well endowed women. His selection of other original offerings at Cult Retro are unmistakably cleavage oriented and I am unashamed to admit it certainly got me interested in forking over the $11.95 to download the flick. Where Black's material distinguishes itself is the execution of a simple premise with a flair, humour and style that I found surprising for what could have been a dreary retread with boobs. A major challenge faced with any tribute work, big budget or no budget, is establishing a psychological bridge to the beloved original. The usage of the classic music cues and sound effects of the 40's production immediately had me engaged - a thrifty and effective choice. The 30 minute 'Chapter' has a lively pace with a decent allotment of shots and cuts, always keeping the viewer engaged, and I also found the action and dialogue to be pretty damn snappy for a home grown effort. NYOKA features a surprising number of laughs as the cast skewer Serial touchstones like not sticking around to witness the hero/heroine done in by the death trap of the day or through the delightfully hammy delivery of their lines. Did I mention breasts yet? I'm a weak, red blooded male and I would be a damn dirty liar if I didn't admit to enjoying Nicola Rae jiggling about while tussling with the villains. What makes Nicola all the more enjoyable is her capable performance that keeps your eyes above her shoulders - most of the time. I will note however that the outtakes at the conclusion of the serial, reveal Nicola's natural, youthful charm and I hope she can further tap into that for future returns as Nyoka.
And what of the ape you say? Chris Casteel's performance as Satan feels torn from the celluloid of old. The suit appearing in NYOKA is a recent construction that looks impressive in action and the ape's visage is a curious amalgam of gorilla mugs familiar to fans, a bit of Bob Burns, a shade of Barrows, but with a personality that is singular and distinct. For me it is gratifying to see a lost art embraced and represented so effectively. Satan has a presence in NYOKA that nearly outshines his buxom co-star.
Put simply THE RETURN OF NYOKA THE JUNGLE GIRL is fun. Bill Black's home studio production bears up to repeat viewings because it's true to roots of it's premise but also has a naughty playful attitude that will beckon to me again and again. And it's got a gorilla, so there - it's just about perfect!
Where will The Mighty Bongo appear next? Well, I'm pleased to report that shooting will commence on another chapter of Nyoka later this month. I'm curious to see what Bill and his players have in store for us and wish them all the best.
You may have noticed the addition of The Mighty Bongo underneath ol' Kong on the sidebar as GORILLA MEN's official Gorilla Man - I'm thrilled to have Bongo's acceptance of this humble honour and eagerly anticipate sharing his lifelong quest to tread in the footsteps of Gemora and his brethren in posts yet to come. In the meantime download or order THE RETURN OF NYOKA THE JUNGLE GIRL - it's GORILLA MEN ape-proved.
I love this still of Charlie from THE MONSTER AND THE GIRL - I find it astonishing that this suit was created almost fifty years before Baker's penultimate work on GORILLAS IN THE MIST. Gemora's suit and performance had a natural quality that none of his contemporaries could match.
Enjoy!
A recent find on Heritage Auctions who graciously post high quality images for poor thieves like myself. Bless their hearts.
THE MONSTER AND THE GIRL one sheet and related materials are in seeming short supply. I have come across very little to do with the film over the past six years - though I do have a handful of nice still repro's compliments of his daughter Diana via Bob Burns I believe and one gem procured from EBAY with the original title D.O.A on the credits. Although this one sheet is not my favourite representation of Charlies suit from the film, I do love the colour scheme and the lovely prostate form of the titular girl.
I was perusing the CLASSIC HORROR MESSAGE BOARDS and stumbled across a request for some pics of the Martian from George Pal's THE WAR OF THE WORLDS (1953). Most persons who even know the name Charles Gemora probably are aware of him for him connection to the classic sci-fi film. Charlie not only built the uniquely alien Alien, but he also played him in the film with the assistance of his young daughter Diana. I was happy to receive some great scans from Diana a while back and here a host of shots of the unfinished beastie and a wonderful pic of Charles getting under the skin of the extraterrestrial invader.
You can read a detailed account of how the iconic creature came to life at Diana's site here.
Enjoy!
Oh to be a copy writer of yore! Truly groan worthy ravings abound in the advertisement for the 1927 film adaptation of the play THE GORILLA. However, the ad does feature prominently the fearsome creature and his pale unconscious dame. I wanted to post something new and this just arrived in the mail. Work progresses on GORILLA MEN 2.0 and I am doing my best to accelerate the information transfer from Serendipity to Blogger. I imagine there is some high falutin' high tech way to transfer the posts lickedity split but I am going the low tech route of cut and paste, repeat, repeat, repeat...
Oh where does the time go?
It's been five years since I first started scribbling away about Gorilla Men. Though my efforts have ebbed and flowed over these many months, I find I always return to this testament of my strange fascination. This recent lapse lasted longer than than I would have liked but such is life.
Yet, here we are again - and what next? More of the same, naturally, I'm not trying to change the world - just lovin' the monkey, man.
But - before I resume regular transmissions - there needs to be a overhaul of my chosen venue. I have decided to transfer all the material contained here to a more stable home at Blogger. My current blog software has managed to frustrate me on many an occasion and I have had enough. Add in the prolonged outage caused by a reworking of my hosting provider's software that left this place offline for several weeks without my knowledge and I am ready for a simpler solution.
Frankly, I look forward to revisiting my roots and perhaps trim and brighten a few of my older posts. Not all material will migrate over but I could afford to lose any blog blather not worthy of preservation. Also, the gallery provider I had uploaded much of my pics to went through a refit that has left my former setup inaccessible. No matter - I was planning on expanding the available galleries on Flickr. Lucky me - now I have no excuses to avoid it!
SO- in the meantime, there will probably be not too much in the way of new posts on this outlet, but I might need to break up the renovations with an item or two. Once the work is complete, I will anchor the Blogger page at gorilla men.com. Don't spin that dial - I'll bring the new and improved Gorilla Men to you.
If you're curious to see how it's unfolding pop by to the OTHER Gorilla Men.
I love the crude, otherworldly ape men of early cinema. The limitations of special effects coupled with a naive design sensibility introduced movie audiences to strange offshoots of the evolutionary tree.
This lobby card from the silent 1918 incarnation of TARZAN OF THE APES has some great details that deserve a closer look.
Enjoy!
I can't stand much of the Bowery Boys' antics - to be fair though, they have made a multitude of films and I have only attempted to endure a handful. Naturally, I'm drawn to this little gem because of the incredible gorilla suit worn by Art Miles. I love Art's suit - it is distinctive and has a natural aspect that stands apart from most that you see on film during the 40's. Surprisingly, this suit has appeared in just a handful of films though Art Miles has dozens of credits for bit roles from the early 30's until 1950. I have a notion there may be a few more out there waiting to be discovered since he employed it over nearly a decade.
The trailer below has a quick glimpse of Art about 2/3rd's of the way through, so be sharp.
It's a damn shame MadTV has finally bit the dust while SNL chugs along with consistent mediocrity. One character that never fails to delightfully creep me out is the demented man-child Stuart.
Released under a variety of titles, FORBIDDEN ADVENTURE, ANGKOR, GORILLA WOMAN and others, this depraved tale of African ladies coupling with jungle apes, is 99% rambling travelogue and 1% unnatural interspecies mating. Although the material seems camp and surreal to a modern viewer, it has a truly despicable premise, perpetuating racist portrayals of native women as sub-human creatures willing to submit to the will of jungle beasts. However, having actually seen the SOMETHING WEIRD dvd release, it's hard to keep that reality in mind while plodding through the flick waiting for the monkeys to come for their maidens. Time has dulled the ugly edges of this well worn exploitation road show staple. I have a pressbook from one of the later re-releases, GORILLA WOMAN and have scanned much of the material for your perusal. The one sheet for FORBIDDEN ADVENTURE and GORILLA WOMAN were pulled from Heritage Auctions.
Enjoy!
When I began to get serious about creating a catalogue of gorilla suit films, I quickly discovered there were a number of films that appeared to be promising candidates but actually had a trained chimp as the menacing beast or pasted in some stock jungle shots of apes in the wild. THE HAIRY APE has a great one sheet featuring a gruesome looking suit but as far as I have been able to discern - does not appear in the film at all.
Despite the fact that THE MONSTER WALKS (1932) falls into this category of gorilla-free flicks, the poster has a wonderful silhouette of the ambulatory ape.
I have been meaning to get this scanned and up for consumption for bloody ages. Many moons ago I missed out on an Ebay auction for an issue of THEATRE MAGAZINE that featured a wonderful photo spread of the stage production of THE GORILLA. The dark house mystery comedy was immensely popular with the theatre crowd and critics, leading to no less than 3 direct film adaptations. Before Ebay made bidding completely anonymous, the winning bidder realized he had beat me out for the mag and dropped me a line. I am kicking myself that I can't recall exactly who it was but I am pretty damn sure it was Gary Prange. I believe that Gary was gathering research for his stellar article APE FIENDS OF THE SILENT ERA for MONSTERS FROM THE VAULT and he shot me an email mentioning he would be happy to pass it along once he was finished with it. I would have been perfectly pleased with a decent scan but true to his word, he sent me the book we had sparred over and HE had purchased with his hard earned dollars - even paid for the darn shipping. Now you can see why I am feeling like a wee bit of a twat for not having a 100% recall about the act of generosity. Anyhow - check out Gary's article in MFTV #22 and #23, they are still available on the site.
If you have any comments, stories, or images to share about gorilla suit film, please send me an email. Contributions will always receive due credit and I'm always willing to help promote anything you may be associated with.